The Meidias Painter
Here, a gift for you! (Eden 2010)
Meidias Vase.ppt (Maryam and Nirvani 2011)
Meidias 2012.pptx by Erika and Veronica
16 MEDIAS PAINTER - HYDRIA
This is the last of the 16 vases that must be looked at in this part of the course. To say that it is very complex is, frankly, a gross understatement, but it's important that we go out with a bang!!
FACTSCAN
Date: 410 - 400 BC
Type: Hydria-Red figure
Potter: Meidias
Painter: "Meidias Painter"
Height: 52.2 cms
Subject: Upper frieze: The abduction of the daughters of Leukippos by
Castor and Pollux from the sanctuary of Aphrodite.
Lower -frieze: Heracles seeking golden apples from the garden of the Hesperides.
It may sound simple, but it's not. The Lower frieze encircles the vase, and presents the most enormous range of named figures we have seen. For Bursary purposes I don't think that it is necessary to know all of them, just a sprinkling, plus the important ones, or course. You must of course know the background to the scene, and to what general groups of people that they belonged to. This, then is the end of the pots. Hurray! If you have a choice in Bursary, I would probably avoid this one.
Subject matter
Upper frieze: Identification of characters
Centre: Aphrodite
High right centre: Statue of Aphrodite
Extreme left: Zeus sitting on a rock holding a sceptre
Next to Zeus: Agaue (girl) running towards him
Next to Agaue: Chryseis kneeling in front of Aphrodite with flowers in her lap
Extreme right: Peithos running off, turning to see
Mid-right lower: Castor carrying off Eriphyle
Higher left: Pollux on a chariot with Hilaeria
Higher right: Castor's charioteer Chrysippos holding
Castor's chariot
By position
Bottom level: Aphrodite, Agaue, Chryseis, Peithos and Zeus
Middle level: Castor and Eriphyle
Lower level: Chrysippos, statue of Aphrodite, Pollux and
Hilaeria
Composition Upper frieze:
The tableau is interrupted by the side handles and a large, crude palmette by the shoulder neck handle (not shown). The painter has overcome these problems by using a modulating groundline and by saving the large space articles such as the horses for the upper areas of the vase.
Style and details Upper frieze:
This vase is characterised by elegant poses and elegant drapery. The abductors and charioteers wear highly decorative tunics. Dismay at the abduction is shown by gesture rather than expression. The figures are delicate and the movement convincing. The figures' revealing drapery is parallelled in contemporary sculpture.
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